Sabdam : Part 3
Repertoire
•
2m 54s
The Sabdams used to be performed in the praise of Kings, so the address in these lyrics is ambiguous. It could be in praise of Lord Rama, but it could also be in praise of a King or ruler.
Composer: Ponnaiah Pillai
Taala: Mishra Chaapu
Raga: Kamboji, Varāli, Kāpi, Surūti
Language: Telugu
Composition adapted to Ragamalika by: Raguram Rajagopalan
sāmi ninnE cāla nammiti nādupai ćalamēlarā
ponćarā vilu vanćarā ćaraminćarA dayayunćarā
yālarā nē pālarā nannēlarā vagayālarā
Elu Elu nannElukOra sabhāsurE kOdaNDapāNi salāmayā
Up Next in Repertoire
-
Vandeham Sharadam: Part 2
Vandeham Sharadam
Raga: Yamuna Kalyani
Mishra Chapu
Composer: Swami Dayananda Saraswati
Choreography: Rukmini Vijayakumar
Language: SanskritIt describes Goddess Saraswati, the embodiment of knowledge, speaking of how the knowledge of the self is revealed to those who have clarity of thought, a...
-
Devarnāma, Mella Mellane: Part 3
A comical Devaranama that is addressed to Yashoda. Here the Gopika is upset with all the troubles that Krishna is causing and attempts to explain to Yashoda how inappropriately Krishna is behaving. Yashoda pays no heed and doesn’t believe what the Gopika is saying even when the evidence points ot...
-
Tillana Aradi
Tillana
Raga : Vallachi
Adi Tala
Composer: Dwaraki Krishnaswamy
Choreography: Guru Narmada, (reinterpreted by Rukmini Vijayakumar)A Tillana is usually the last piece in the performance of a Margam. Adapted from the Tarana, of Hindustani music, the Tillana reflects the joy of finally reaching th...