The Raadha Kalpa Method

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Ćarañāguli bheda Introduction

Playlist 45 • 37s

The toes are considered one of the Upāngas, or minor limbs.

The movements are used primarily to communicate meaning in the context of gesture.

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  • Ćarañāguli bheda Shloka
    00:17
    Ćarañāguli bheda Shloka

    Ćarañāguli bheda Shloka

    The toes are considered one of the Upāngas, or minor limbs.

    The movements are used primarily to communicate meaning in the context of gesture.

    Please refer to the Shloka below for pronunciation. Please note that the separate movements of the head when put together in a Shloka form 'Sandhis', or...

  • Varnam, "Adi Shivane"
    33:33
    Varnam, "Adi Shivane"

    Varnam, "Adi Shivane"

    Varnam, "Adi Shivane"

    Raga: Todi
    Adi Tala
    Composer: K.N.Dandayudapani Pillai.
    Choreography: Guru Narmada (Jathis) , Adapted by Rukmini Vijayakumar
    Language: Tamil

    The Varnam speaks from the perspective of a Nayika that is longing to see Lord Shiva.

    P: Adi shivanaik-kANavE Ashai koNDEnaDi
    nIti ...

  • Varnam, "Adi Shivane" : Part 4 B
    11:28
    Varnam, "Adi Shivane" : Part 4 B

    Varnam, "Adi Shivane" : Part 4 B

    Varnam, "Adi Shivane"

    Raga: Todi
    Adi Tala
    Composer: K.N.Dandayudapani Pillai.
    Choreography: Guru Narmada (Jathis) , Adapted by Rukmini Vijayakumar
    Language: Tamil

    The Varnam speaks from the perspective of a Nayika that is longing to see Lord Shiva.

    This video goes through the second Jathi of t...

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