Jatiswaram: Part 7
Repertoire
•
15m
Raga : Rasikapriya
Adi Tala
Composer : Lalgudi G Jayaraman
The Jatiswaram will be taught in parts with detailing on rhythm and alignment.
A Jatiswaram is traditionally performed after an Alaripu or Pushpanjali in a BHaratanatyam performance, a combination of Jatis and Swaras, it is a piece that explores rhythm and musicality at once, challenging the physical prowess of the dancer and warming up the audience to receive content that is more layered thereafter. A purely Nritta piece, the Jatiswaram is melodic and rhythmic.
The rhythmic sequences that are layered on the Swaras of the Jatiswaram, are called Korwes. You must all be familiar with Korwes after practising the many Korwes these past months. Watch the Tala video, in the theory section, on counting when dancing to help you through the jatiswaram.
Up Next in Repertoire
-
Varnam, "Adi Shivane" : Part 6
Varnam, "Adi Shivane"
Raga: Todi
Adi Tala
Composer: K.N.Dandayudapani Pillai.
Choreography: Guru Narmada (Jathis) , Adapted by Rukmini Vijayakumar
Language: TamilThe Varnam speaks from the perspective of a Nayika that is longing to see Lord Shiva.
This video goes through the third third line ...
-
Sabdam : Part 8
The Sabdams used to be performed in the praise of Kings, so the address in these lyrics is ambiguous. It could be in praise of Lord Rama, but it could also be in praise of a King or ruler.
Composer: Ponnaiah Pillai
Taala: Mishra Chaapu
Raga: Kamboji, Varāli, Kāpi, Surūti
Language: Telugu
Compos... -
Ranjani Mala : Part 7
Ragam: Ragamalika (Ranjani, Sriranjani, Megharanjani, Janaranjani)
Talam: Adi
Composer: Tanjavur Shankara Aiyer
Choreography: Rukmini Vijayakumar Language: SanskritThis song, known as Ranjani Mala, describes the goddess as Ranjani, Sriranjani, Megharanjani and Janaranjani.
Pallavi
Ranjani mru...