Ćarañāguli bheda Shloka
Playlist 49 • 17s
The toes are considered one of the Upāngas, or minor limbs.
The movements are used primarily to communicate meaning in the context of gesture.
Please refer to the Shloka below for pronunciation. Please note that the separate movements of the head when put together in a Shloka form 'Sandhis', or compound words in the Sanskrit language. Words like 'ca', 'thatha', mean "and", "also". The separate words for each movement are also given below the shloka.
Adhakśiptatathokśiptāha kunćitaśca prasāritaha
samlagnaśćēti ćaranāngulyāha panćada matāha
Adhakśipta
Ukśiptāha
Kunćitaha
Prasāritaha
Samlagna
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Shirobheda Abhinayadarpanam
The Shirobhedas, as described in the Abhinaya Darpana are 9 in number.
These Shirobhedas, or gestures of the head are used primarily communicate meaning gesturally, and also used for specificity in Nritta.Please refer to the Shloka below for pronunciation. Please note that the separate movement...
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Grīvabheda Abhinayadarpanam
The Grīvabhedas, as described in the Abhinaya Darpana are 4 in number.
These Grīvabhedas, or gestures of the neck are used primarily communicate meaning gesturally, and also used for specificity in Nritta.Please refer to the Shloka below for pronunciation. Please note that the separate movement...
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Drishtibheda Abhinyadarpana
The Drishtibhedas, as described in the Abhinaya Darpana are 8 in number.
These Drishtibhedas, or gestures of the eyes are used primarily communicate meaning gesturally, and also used for specificity in Nritta.Please refer to the Shloka below for pronunciation. Please note that the separate move...
